Pragmatically, to mark these 23 pieces as chunks of experience set off from ordinary communication, Grieve calls them “*objects,” which are neither so much about content, nor form and materials, nor about ideas and meanings. Instead, each is a recipe, as a seed, a media assemblage apparatus for generating what it is like to dwell in a particular world. Because of his time served in the Academy, however, Grieve’s own explanations often become quagmired in impenetrable classical Zen Buddhism, Lacanian even or post-Heideggerian jargon. If you want to understand, don’t listen to him. Don’t read what he writes. Instead, as the Austrian-British philosopher of language, Ludwig Wittgenstein, writes: “Don’t think: but look!” Which Grieve hopes will allow you to also “see” and “experience.”